All the Places to Go: How Will You Know? John Ortberg
Ortberg is the Senior Pastor of
Menlo Park Presbyterian Church, and is one of my favorite preachers and
authors. This book is about capitalizing
on opportunities God places before you.
In many ways, it is a book about making good decisions. However, Ortberg says early and often that
God is not a crystal ball, who exists simply to help us choose the right path
and avoid pain. In fact, he insists
sometimes choosing a more difficult path is exactly what we need. And sometimes God’s answer when we ask, “What
should I choose” is “Whatever you want.”
God knows that the act of making decisions helps us grow, so sometimes
He lets us choose, and no amount of praying it through will help us discern the
right choice. The book is full of
statements like that, that turn conventional wisdom about hearing God’s voice
upside down. Throughout, he uses the
concept of open doors (from Revelation 3:8, where Jesus tells the church in
Philadelphia “I have placed before you an open door that no one can shut”) to
represent the opportunities God engineers for His people. Ortberg wants us all
to be “open door people,” who are constantly ready to walk through the doors
God has in mind for us, even though most of us would rather stay where we
are.
As he puts it: “God is doing
something magnificent in this world. When a door is opened, count the costs, weigh
the pros and cons, get wise counsel, look as far down the road as you can. But in your deepest heart, in its most secret
place, have a tiny bias in the direction of yes. Cultivate a willingness to charge through open doors even if it’s not this
particular door.” Ortberg acknowledges
all doors are not the right ones for us.
My favorite chapter of the book is chapter 5, “Door number 1 or door
number 2?” In this chapter, you read
some of the best, most biblical and practical advice on making decisions that I’ve
ever read or heard. He also has an
excellent chapter on how God’s closing a door is often the best, most merciful
thing He can do for us.
The title is a riff on Dr. Seuss’s
book All the Places You’ll Go, and
Ortberg occasionally writes like Dr. Seuss, particularly (and hilariously) in
his chapter retelling the story of Jonah.
Mostly, however, he uses Scripture, plus stories from his own life, from
the Bible and from the world around us to illustrate his points. He is an excellent writer, and this book will
appeal to a wide variety of readers. It
is inspiring, often funny, sometimes poignant, and difficult to put down. I
would recommend this book to people who struggle with decision-making, young
people who haven’t yet learned how to make good choices, older people who have
gotten stuck in the mud of never taking risks or trying anything new, impulsive
people who tend to leap before they look, and people who simply need a kick in
the pants to get them moving again.
So…basically everyone.
Go Set a
Watchman, Harper Lee
If you’re an avid reader, you’ve
heard about this book, the publishing story of the Century. It’s a “lost” manuscript for Lee, the woman
who famously wrote a classic, To Kill a
Mockingbird, and then wrote very little since. Lee is elderly, but still alive, and
allegedly gave permission for this book--written in the 1950s and thought to
discarded--to be published. I had it on
pre-order, and started reading it the day it appeared in the Kindle app on my
phone. The book has been pitched as a
“sequel” to Mockingbird. It features most of the main characters
from that book, twenty or so years later, in the 1950s. As such, the big news about the book is that
Atticus Finch, the heroic small-town attorney who defended an innocent black
man--Tom Robinson--accused of rape in a small Alabama town and refused to let
his children use the “N” word, is by the mid-fifties an old, arthritic man who
is concerned about racial unrest and the NAACP and has joined the local white
citizens council to stop racial agitation from changing the status quo. In other words, Atticus Finch, a hero of
racial equality in this country for over fifty years, has himself become a
racist. The book is about Scout Finch,
the narrator of Mockingbird, now in
her twenties and living in New York, coming home to Maycomb, Alabama for a two-week
vacation. She weighs marriage prospects
with her high-school sweetheart, clashes with her old-fashioned Aunt Alexandra,
and finds out, to her shock and horror, about her father’s activities in
defense of segregation. Scout feels
betrayed that her idol has turned out to have feet of clay. She has to decide what to do, now that the
one sure thing in her life--her father’s moral perfection--has turned out to be
false.
This would all be depressing--and it
has indeed depressed many readers and reviewers--but for a couple of factors:
First, this isn’t actually a sequel. Lee
wrote Watchman first. It was rejected by her publisher, who urged
her to write another story about the same people from a different
viewpoint. That’s what led her to write Mockingbird.
Why was Atticus so flawed in her first writing, and so outstanding
in the second? There are theories. Lee admitted long ago that Atticus was based
on her father, a small-town attorney and good man. However, Lee’s father was a segregationist who, late in life,
changed his mind and began to work for racial equality. Perhaps Lee wrote Watchman when she was disillusioned by her real father’s racial
views, and wrote Mockingbird after he
had been come over to the side of integration.
Or, perhaps since she chose to write Mockingbird
from the perspective of a little girl, she chose also to present Atticus as
an ideal man, the way many a little girl would view her daddy. Second, it is a reminder to all of us that
good people are still flawed people.
Good people can be very wrong. Most
of my own ancestors of that same generation took racial segregation for granted,
and believed that the best thing for all races was to keep everyone “in their
place.” This was an evil belief, and
they bought into it. Yet these were also
gracious, genuine Christians to whom I owe a legacy of faith and love. I am who I am in part because of them. Atticus Finch in Watchman is still the same kind, wise man he has always been. He’s just terribly wrong about an incredibly
important issue, like my own departed relatives were. We have a hard time seeing things with that
nuance; we want to believe that anyone who agreed with segregation was
fundamentally evil. We want to believe
this because we want to believe we’re not capable of such evil ourselves. But when our own grandchildren look back at
us, what horrid attitudes and destructive habits will they remember? We are all sinners in need of grace…and in
need of someone courageous enough to tell us we’re wrong.
1 comment:
Excellent reviews. Thank you for sharing.
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